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≡ Descargar Gratis PreRaphaelites Heather Birchall 9783822854860 Books

PreRaphaelites Heather Birchall 9783822854860 Books



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"Genuine ideas to express"

PreRaphaelites Heather Birchall 9783822854860 Books

Heather Birchall is a refreshingly direct and yet scholarly writer, which makes this one of the best Taschen surveys. The 25-page introduction is consistently informative and relevant and avoids digressing into marginal topics. Birchall has a knack for writing coherently and without that pretentious verbiage and esoteric theory that plagues so much writing on art. Yet Birchall delves into her subject with scholarly expertise as well, citing secondary sources on every page.

The introduction is a pleasure to read because it gets at the heart of the Pre-Raphaelites and their world. Birchall covers the formation and eventual decline of the Pre-Raphaelite Brotherhood (PRB) without wading through too much social and political discussion. There are extensive sections on the PRB's two greatest figures, Rossetti and Burne-Jones, and much is said about their champion, John Ruskin. The remaining content of the book consists of 35 reproductions each accompanied by a single-page blurb about the featured artist and work. Unlike some other Taschen surveys, Birchall offers thoughtful interpretations and interesting historical nuggets, which makes these mini-essays worth reading.

Like other schools, the Pre-Raphaelites were a relatively small group of artists. As such, several paintings by a single PRB figurehead are often spotlighted in this book. For example, of the 35 reproductions here, six are by Burne-Jones, five by Rossetti, five by Millais, four by Hunt, and three by Brown. Other works here stem from PRB disciples and second-tier imitators: Walter Deverell, John Inchbold, Frederick Sandys, Evelyn de Morgan, and Henry Wallis. What struck me as peculiar is the conspicuous absence of John William Waterhouse, who may not have been active during its halcyon days, but exemplifies the PRB as much as Burne-Jones. I cannot tell why Waterhouse was snubbed when a mediocre work by Simeon Solomon and a decidedly obscure painting by Eleanor Fortescue-Brickdale were included.

Bottom line: This is a superb introduction to the Pre-Raphaelites, written in an accessible manner without sacrificing substance. Birchall is perhaps the most satisfying writer who has yet contributed to the Taschen genre series. Devotees of Pre-Raphaelite art may not be as impressed, but the book is an excellent primer. For deeper exploration, consider these coffee table books: The Pre-Raphaelites and Pre-Raphaelites: Victorian Art and Design.

Product details

  • Paperback 96 pages
  • Publisher Taschen (May 15, 2010)
  • Language English
  • ISBN-10 3822854867

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PreRaphaelites Heather Birchall 9783822854860 Books Reviews


I'm really quite impressed with this book. The reproductions are vivid, printed on heavy paper and enjoyable to look at. The coordinating text that accompanies each image is full of interesting detail about the painting as well as the artist without being superfluous. The introduction is surprisingly thorough for a rather slim book. A nice addition to my collection.
I just discovered a really substantial error in this book in the essay on Millais' Ophelia painting, the text says that Gertrude was Ophelia's mother. Yikes! This makes me worry about what other errors there might be in the book.
This was a gift for someone who loves the Pre-Raphaelites. She was very pleased and I was happy to have surprised her with this gift.
quite nice - well worth having
As advertised. Very happy.
Another wonderful book by Taschen. I have always loved the pre-raphaelites and this particular book provides a great overview of movement with excellent reproductions.
Heather Birchall is a refreshingly direct and yet scholarly writer, which makes this one of the best Taschen surveys. The 25-page introduction is consistently informative and relevant and avoids digressing into marginal topics. Birchall has a knack for writing coherently and without that pretentious verbiage and esoteric theory that plagues so much writing on art. Yet Birchall delves into her subject with scholarly expertise as well, citing secondary sources on every page.

The introduction is a pleasure to read because it gets at the heart of the Pre-Raphaelites and their world. Birchall covers the formation and eventual decline of the Pre-Raphaelite Brotherhood (PRB) without wading through too much social and political discussion. There are extensive sections on the PRB's two greatest figures, Rossetti and Burne-Jones, and much is said about their champion, John Ruskin. The remaining content of the book consists of 35 reproductions each accompanied by a single-page blurb about the featured artist and work. Unlike some other Taschen surveys, Birchall offers thoughtful interpretations and interesting historical nuggets, which makes these mini-essays worth reading.

Like other schools, the Pre-Raphaelites were a relatively small group of artists. As such, several paintings by a single PRB figurehead are often spotlighted in this book. For example, of the 35 reproductions here, six are by Burne-Jones, five by Rossetti, five by Millais, four by Hunt, and three by Brown. Other works here stem from PRB disciples and second-tier imitators Walter Deverell, John Inchbold, Frederick Sandys, Evelyn de Morgan, and Henry Wallis. What struck me as peculiar is the conspicuous absence of John William Waterhouse, who may not have been active during its halcyon days, but exemplifies the PRB as much as Burne-Jones. I cannot tell why Waterhouse was snubbed when a mediocre work by Simeon Solomon and a decidedly obscure painting by Eleanor Fortescue-Brickdale were included.

Bottom line This is a superb introduction to the Pre-Raphaelites, written in an accessible manner without sacrificing substance. Birchall is perhaps the most satisfying writer who has yet contributed to the Taschen genre series. Devotees of Pre-Raphaelite art may not be as impressed, but the book is an excellent primer. For deeper exploration, consider these coffee table books The Pre-Raphaelites and Pre-Raphaelites Victorian Art and Design.
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